Who would’ve thought that we’d wake up to a world where Arashi is on social media. And another Jetstorm around Southeast Asia – skipping my country, of course, but I can’t blame them, especially if they’re going by data like CD sales figures or even things like which countries their shows are aired. (I wish Gem TV is available here!)
I was in Japan when they did their first YouTube Live, announcing the Jetstorm countries (and teasing about a Kokuritsu concert as well as one in Beijing next year) – I kinda felt like a terrible friend because I was streaming it on my phone while trying to hang out with my friend Kishiko (sorry, Kishiko!) Not that I was really listening to it (I didn’t have the sound on, so I could talk to my friend, but I was still distracted by the feed at times.) I ended up catching up on the contents of the feed by reading fans’ reactions on twitter. I also missed their IG live, but did manage to watch it after.
Turning Up is so different from their previous songs, and yet is still so very Arashi, I love it so much. I don’t think I’ve ever automatically loved a single of theirs so quickly, not since Troublemaker. It’s so catchy, and the PV is amusing, and the dance! Can a dance be catchy? Because that’s how it felt, like you can’t help but move along when you see them dance. That night, watching it for the first time, I felt an intense love for this manband, while also feeling terribly anxious all over again when I think that from 2021 onwards I wouldn’t have these moments again.
So – yeah. The highs and lows of being an Arashian trying to celebrate the now, while being extremely aware of the clock ticking down to December 31st, 2020.
I booked myself a seat in the bus of Arashians heading to Singapore for their Jetstorm event, but backed out in the end, because I was just back from Japan and it felt financially irresponsible to just go to Singapore on a whim. Now I kind of regret not going, although I don’t regret spending the day with friends instead 😀 And I lived vicariously through the reports of the girls who went.
I managed to stream Best Artist in real time and spent the night watching it – the live performance of Turning Up was more fun than I expected it to be! I didn’t get to watch FNS until the day after, because I got home late that day.
And… I think we’re caught up! I ended up not balloting for the Tokyo leg of the Arashi Exhibition, and I fear that it means I wouldn’t be going at all, unless they start doing the exhibition out of Japan. I’ve lost track of all the new 5×20 goods and will need to be caught up soon, especially since I am the kind of fan who is VERY interested in having an online visual reference place for all their past merch. I guess that’s a project I could take on in 2021…